Spartiti medio Musica classica

We welcome Joshua Reznicow to the Kendor family of writers with this festive original that sounds more difficult to play than it is. Written in G major and its relevant minor key, it gives directors a...

Harmonized Rhythms is dedicated to the progressive and systematic study of rythms in a totally melodic and harmonized format. The primary focuse of Harmonized Rhythms is to teach rhythmic precision th...

The Elephants and Fossils are featured in this 2-movement composition. This will be a definite hit with your students!

This original work is destined for contest and festival repertoire lists. It was commissioned by the Ohio Music Educators Association Dist. II Jr. High Festival Committee.

Based on an Irish Fiddle tune brought to the U.S., this high-energy piece is fun for all players! It's in A minor and doesn't require shifting except for a few spots in the bass part.

Three contrasting movements entitled, Open Lands, Lake Brave, and The Huntá comprise Mr. Hofeldt's newest work.

Powerful from beginning to end, veteran composer Joshua Missal evokes the images of gladiators and their challenges.á Also including snare, drum, bass drum and triangle, the composition also features...

This tranquil arrangement of the Austrian Christmas carol is filled with sonorous melodies and lush harmonies. Grade 3, 3:00

Henri Vieuxtemps began composing at the age of eight, initially in rather improvisatory manner on the violin. In the Air varié No. 3, presented here for the first time in print, which was composed in...

This is the big beautiful piece for that special quiet place in your next concert or festival. Inspired by the inscription on a James Dean statue. Unforgettably moving!

The most well-known aria from English Purcell's (1659-1695) three-act tragic opera Dido and Aeneas, Dido's Lament (also "When I am laid in Earth") is sung by the title character near the end of the op...

The most well-known aria from English Purcell's (1659-1695) three-act tragic opera Dido and Aeneas, Dido's Lament (also "When I am laid in Earth") is sung by the title character near the end of the op...

Lush harmonies and a timeless melody are a perfect fit for strings.  The descending chromatic scale leads enchantingly into the dreamlike beauty of the string orchestra. A great selection for a p...

Lush harmonies and a timeless melody are a perfect fit for strings.  The descending chromatic scale leads enchantingly into the dreamlike beauty of the string orchestra. A great selection for a p...

An original work for string orchestra, by a master composer, Olympiad was composed in a quasi-Baroque style. In three movements, the second of which features a lyrical melody for violas and cellos, th...

One of Ludwig's all-time best sellers, teachers and students love this work.

Originally written as a movement from a concerto for two horns, this Vivaldi masterpiece has been wonderfully rescored for string orchestra (with the solo lines being given to the violinists). An opti...

Starting with the lively, contrapuntal Overture in ritornello form, Concertino for Strings demands only moderate technical facility. Movement II (Dirge) features cellos and basses in a pizzicato walki...

Originally written for organ (and often paired with the 'Little' fugue also published for string orchestra from Ludwig Music at 10250117), this arrangement allows all voices the chance to play great l...

Il grande compositore norvegese aveva un talento per le melodie espansive e spesso ossessionanti. Questa è una delle sue più belle. Accuratamente arrangiato per sfruttare al meglio le qualità espressi...

Nelhybel's variations for trumpet and strings provides a nice feature for your star trumpet player and a nice chance for your orchestra to learn the art of accompaniment.

Written in 1966 for the Vivaldi Chamber Orchestra of Manchester, England, PRELUDIO features various types of bowings and bowing articulations (especially in the upper strings), giving developing playe...

An original work for string orchestra, by a master composer, Olympiad was composed in a quasi-Baroque style. In three movements, the second of which features a lyrical melody for violas and cellos, th...