Spartiti medio Funk

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the...

Arrangiamento funk rock del classico di Freddie Hubbard per 4 corni più sezione ritmica. Assoli aperti per tutte le parti.

Funk tune with an eight-bar swing tag to each chorus. Alto, tenor, trumpet, trombone, and rhythm.

Christoph Schönherr ist ein ausgewiesener Experte in Sachen Jazz- und Popchor und ein gefragter Chorkomponist. Er schreibt über sein Werk: „Mich hat für die Komposition besonders die Polarität des Tex...

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.