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Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...

Using only a limited number of different rhythmic patterns along with modest brass ranges, here is a clever original in a tango style playable by young groups. There is plenty of tutti ensemble scorin...