Spartiti latina

Simple Latin based tune written in mostly unision, octaves, counterpoint and block harmonies. Written solos for tenor and trumpet.

Medium tempo Jazz Samba that captures a tinge of Spain while allowing Jazz elements to shine through. Solo sections are on 2 chord changes (Cm/Db) making for easy soloing.

This chart captures that island feel of the Caribbean. The simple unison melody is based on the A section of Gershwin's 'I've Got Rhythm'.

This very hip Cha Cha is a bit more challenging than our other titles but many high schools and Colleges will find this a great addition to their library.

A light Latin feel with lots of unison and ensemble sections for young players. Solos on the A section of the tune.

From jazz saxophonist Eric Alexander's most recent album, 'BE COOL', Steve Broidy's 'Footsteps' features a contemporary jazz Latin groove written at a moderate level to provide a welcome addition to y...

Featuring a moderate tempo contemporary Latin groove, Mike Carubia's arrangement of Freddie Hubbard's 'To Her Ladyship' opens with a unison melody featuring alto sax, flugelhorn or trumpet with an opt...

Any Kenton fan knows this piece very well, as it is one of the finest things ever written for Stan. This transcription faithfully recreates the stunning afro-cuban chart by Bill Holman. There is solo...

As recorded on the Tonight Show Band CD 'Once More With Feeling' (Amherst Records), this chart is one of the 'hippest' that Tommy ever wrote for that band. There is solo space for tenor sax, but the m...

Bob Curnow took Ken Hanna's wonderful, latin, medium-tempo tune and made it a bit more accessible for good bands. The ranges are a bit more realistic and practical. This also features alto sax and tru...

This is a new edition (Finale computer notation) of this lovely bossa nova tune. Curnow uses flugelhorns to create a warm, lush, lyrical melody that floats in and out of various counter lines. There i...

Here is another one of Johnny Richards' great latin tunes as written for the Stan Kenton Orchestra. This lilting 5/4 chart has a great groove and amazing ensemble writing, with solo space for alto, tr...

Johnny Richards wrote this gorgeous melody as part of the incomparable Stan Kenton 'Cuban Fire' CD, and now this version allows the music to be performed without all of the usual high trumpet and comp...

There are never enough trombone features. This is a medium-latin setting of the great melody 'Speak Low.' Trombone is featured throughout this easy-to-play arrangement. Most of the solo is in a modera...

Here is another marvelous collaboration of Pat Metheny/Lyle Mays music as arranged for big band by Bob Curnow. The original recording by the Pat Metheny Group is on the CD Speaking of Now. The piece s...

The title refers to the somewhat mystical style of the opening of this wonderful and fun-filled chart. After the opening, and a couple of screams of terror from the band, the piece settles into a real...

This is the chart that people have been wanting to see in print for years! Recorded by the Bill Holman Band on their album Briliant Corners, this is the great Thelonious Monk tune set in a straight-ei...

This is a completely re-composed and re-notated (in Finale) version of a piece that has been in the catalog for a while. It has a Latin / Fusion feel reminiscent of some early Freddie Hubbard tunes. S...

As recorded by the Stan Kenton Orchestra on Viva-Kenton, this delightful Latin chart has solo space for tenor saxophone and features a very hip melody by Gene Roland. Gene wrote many, many hit records...

This wonderful original composition by Patty Darling adds another great chart to Sierra's Easy To Play series. Set as a medium Latin tune, 'Crystal Cove' is scored with very moderate ranges and playab...

An original by Fred Stride, 'Matador' is a wonderful, unique addition to any concert or festival program! This arrangement is set in an even-eighth feel complete with the sounds of Spain. The chart wi...

Originally recorded by the North Texas University 2 O'Clock Band, Vern Sielert's arrangement of Like Someone In Love is set in an even-eighths Latin feel. This fresh take on a popular standard feature...

Originally recorded by Cannonball Adderley on his album Domination and inspired by Oliver Nelson, Bob Curnow's adaptation/arrangement of Introduction to a Samba features the alto saxophone and trumpet...

Rich DeRosa has created a marvelous Latin composition in a baião feel that is recorded by the North Texas Two O'Clock Lab Band. It comes out of the gate roaring. The very hip melody is stated by flute...

New York-style Latin is the foundation for this infectious groove and catchy melody. Oliver Nelson's arrangement of Shake A Lady is a great chart that will cause your band's heads to sway and your aud...