Spartiti jazz per coro

Another fine arrangement from the pen of Michael Braz, this lovely Korean folk song works well with any combination of two voices.

This lovely simple treble work adapted from Luke 1 was written when Constance Hill was 13. It captures the wonder and the love of that special time.

The first collaboration by composers Valerie Showers Crescenz and James E. Green, this dynamic duo gives us a fine secular work for treble voices, very accessible.

Easy Easter piece for two part treble voices with piano and flute, suitable for youth or adult choirs

This is a rather comical work arranged for treble voices by Henry Hinnant

Written by renowned sight-reading educator, Carol Krueger, this octavo contains engaging compositions for practicing rhythm, unison, two-part, three-part, and four-part. The exercises are suitable for...

Includes: generic parts for 3 instruments (guitar, dulcimer, and string bass are highly recommended, but any instruments of similarity will work) Part 1 & 2 are in treble clef part 3 is in bass clef

This is a wonderful work for unison voices with limited range. Try it with a treble chorus of any age.

This prize-winning piece for unison voices with optional second part and piano is a marvelous work for teaching mixed meters.

Set to the familiar hymn tune, Ebenezer, Donna Butler gives us a well-crafted simple anthem for use during Lent, Palm/Passion Sunday, or general use.

This is an easy work for treble voices of any age scored with piano accompaniment. Optional percussion parts are to be improvised at the director's discretion (sounds great with claves, tambourine, an...

With both sacred and secular texts available to choose from, this treble work speaks of the joys of being alive with emphasis on the beauty of nature. The author, an unknown child in a Czechoslovakian...

This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature, the composer states: 'I wanted a tuneful, patriotic, American sounding melo...

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.

For 2-part treble choir with piano and optional C instrument, Valerie Crescenz sets this gentle folksong for treble voices of all ages.

This baptismal anthem based on a text by Charles Wesley is written for two-part voices, also effective for Communion

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here, David Giardiniere arranges this tune for two-part treble voices with keyboard and optional ha...

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

A Christmas lullaby foretelling what is to come for the Christ child. In the lovely words of Gary Vitale, 'His head is weary, His eyes are tearing, and I can see a sadness coming: let my baby rest...k...

An easy two-part piece for children, with keyboard accompaniment that is secular, but contains a message that makes it appropriate for a church setting. From the Accent On Youth Series

Bright, stirring advent piece for 3-part mixed choir with keyboard using the familiar text by Philipp Nicolai, and interspersing the well-loved Wachet Auf melody with original music by John Horman.

An easy and versatile piece for Epiphany written in unison, good for youth or female voices, with organ accompaniment

Contents: Full Score, Violin 1-2, Viola, and Cello

This is a wonderful Easter piece for children, beginning adult choir, or for standard choir repertoire for those inevitable Sundays when half the choir is unavailable.