Spartiti funk per orchestra jazz

Recorded by Ray Charles in 1963, this funky classic has been covered by countless artists, but is probably best remembered from Ray's performance of it in the 1980 film The Blues Brothers. Arranged he...

Recorded by Ray Charles in 1963, this funky classic has been covered by countless artists, but is probably best remembered from Ray's performance of it in the 1980 film The Blues Brothers. Arranged he...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...