Spartiti facile per Orchestra d'archi

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 5 Violoncelli/Kontrabässe - Streichorchester

The work of the great French baroque master Marc-Antoine Charpentier gathered dust in the archives for more than 200 years. Not until this century started a renaissance of Charpentier. The boldness of...

The work of the great French baroque master Marc-Antoine Charpentier gathered dust in the archives for more than 200 years. Not until this century started a renaissance of Charpentier. The boldness of...

The work of the great French baroque master Marc-Antoine Charpentier gathered dust in the archives for more than 200 years. Not until this century started a renaissance of Charpentier. The boldness of...

The work of the great French baroque master Marc-Antoine Charpentier gathered dust in the archives for more than 200 years. Not until this century started a renaissance of Charpentier. The boldness of...

The work of the great French baroque master Marc-Antoine Charpentier gathered dust in the archives for more than 200 years. Not until this century started a renaissance of Charpentier. The boldness of...

This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...

This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...

This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...

This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...

Put those bows down, string players! This piece is pizzicato from beginning to end, and every section gets a turn in the spotlight. Fun to play and exciting to listen to with a touch of Edwardian Eleg...

Put those bows down, string players! This piece is pizzicato from beginning to end, and every section gets a turn in the spotlight. Fun to play and exciting to listen to with a touch of Edwardian Eleg...

Experience the delightful charm of Three Bagatelles! Set in F-major for string orchestra, these three dance movements take you on a journey through American ballroom traditions with a playful twist. I...

Experience the delightful charm of Three Bagatelles! Set in F-major for string orchestra, these three dance movements take you on a journey through American ballroom traditions with a playful twist. I...

Roundabout, Basses Loaded, The Surprise, Violins vs. Everyone Else. Introduces 6/8, minor keys, shifting for the basses, col legno, pizzicato. It's all around fun for the orchestra!

Streichorchester; Partitur, Stimmensatz. Format: 6 S. Part. + 14 x 1 S. Stimmen - 29,7 x 21 cm.

This well-known, lyrical piano piece is arranged for oboe or violin solo, and strings. The arrangement could not be more simple in its intent to remain true to the source composition by not embellishi...

This well-known, bucolic piano piece is arranged here for oboe, clarinet, and string orchestra. The arrangement could not be more simple in its intent to remain true to the source composition by not e...

Was mag doch diese Welt. Kantate für ein- bis dreistimmigen Jugendchor (Mez/SMezA) mit Begleitung eines Streichorchesters und Orgel oder Blasorchester (oder nur mit zwei- bzw. vierhändiger Klavierbegl...

Jugendchor (Mez/SMezA) mit Streichorchester und Orgel oder mit Klavier 2- oder 4-händig