Spartiti facile per Coro

A light, playful love song that has a magical quality that stays with singers and audience alike (2-part). Also available in: SATB (HMC997), SAB (HMC1047), and TBB (HMC1853)

One of two Emily Dickenson poems arranged for secondary chorus. The other is: The Moon Was But A Chin Of Gold (HMC1779)

One of two Emily Dickinson poems arranged for secondary chorus. The other is The Bee (HMC1778)

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

Tom Shelton provides us with this multicultural inspirational secular work for treble voices and piano. The English/Spanish combination works for graduation or an emphasis on world peace.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

From the Accent On Youth series. This is a bright, fun piece for high school or adult choir. Suitable for secular or sacred settings: it is not liturgical, but the message is a good one.

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

Written for two-part treble voices, this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton, a successful middle school teacher, understands quite well t...

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

The creative team of Green and Crescenz bring us another thought provoking work. Though originally in a SAB setting (HMC1885), this 2-part treble work once again calls our attention to the 'forest as...

Composer Tom Shelton, a middle school choral teacher, truly understands the young voice. Try this two-part treble work that expresses the fact that 'music is the language all people share. '

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

This first work in the choral series, accent on young voices (edited by Maribeth Yoder-White), is set for three-part mixed voices with piano and provides young singers an opportunity to successfully p...

For 2-part treble voices with piano, this is the perfect piece for Earth day celebrations or anytime you wish to acknowledge the beauty of nature, suitable for all ages.

This piece for unison/two-part treble voices with piano and optional percussion is all about fun! Two pieces in this arrangement: Wabash Cannonball & This Train Is Bound For Glory Percussion part incl...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

The team of Green and Crescenz gives us another thought-provoking work. Scored for two-part treble voices, the text and complementary music affirm, 'We can help them find the ways to make the world a...

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs). Don't miss out on: When We...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

Maribeth Yoder-White's series (Accent On Young Voices) brings us another work with practical performing suggestions included. We welcome Earlene Rentz to the Hinshaw catalogue.