Spartiti facile per Coro misto

Come Emmanuel is a wonderfully expressive spiritual for the Advent season for SATB voices a cappella.

The spiritual I Couldn't Hear Nobody Pray, arranged by Hall Johnson for 4-part chorus of mixed voices with Soprano and Tenor soloists.

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

SATB with divisions unaccompanied This hauntingly beautiful setting of a text by Christina Rossetti is tonal and yet adventurous in its choice of harmony. This simple, slow piece ends on a wonderfully...

This serene and reflective setting of the Magnificat and Nunc Dimittis was commissioned to mark the 300th anniversary of the death of Thomas Ken, Bishop of Bath and Wells. With expansive harmonies and...

This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitabl...

This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature, Rose of such virtu...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter, and 'Praise the Lord! his glories show...

Alan Bullard's first Magnificat and Nunc Dimittis, written for the choir of Selwyn College, Cambridge, can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and ha...

This touching piece sets Yeats' beautiful words describing the love of a parent for their child. Switching between major and minor tonalities, A Cradle Song is quiet and understated, with sensitive a...

Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefre...

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...

This beautiful and much-loved Somerset folk-song is No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter (ISBN 9780193437173). The enduring appeal of the song lies in the beauty of...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This gentle anthem is built around a warm, hymn-like refrain, which gives way first to a free-flowing and expressive section and then to a more sombre section. With a Latin text from Ruth 1, this affe...

This arrangement of the popular American folksong is atmospheric and expressive, with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoa...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...