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Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs). Don't miss out on: When We...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

Maribeth Yoder-White's series (Accent On Young Voices) brings us another work with practical performing suggestions included. We welcome Earlene Rentz to the Hinshaw catalogue.

For those of you who are middle school teachers this setting of the traditional American folksong is for you. Valerie gives us a three-part mixed voicing accompanied by piano. Try it during American m...

This is the latest in the highly successful 'accent on young voices' series edited by Maribeth Yoder-White. Again, highlighting the interest in global music found in music education these days, this B...

The fact that music brings the world closer together is highlighted in this new work for 2-part treble chorus with piano, violin, and cello. Based in part on the Chinese phrase 'four oceans bridge one...

Valerie Showers Crescenz is not a new name to the Hinshaw catalogue. This secular work is set to a lovely text by poet Lauren Gallagher and is scored for unison treble chorus with optional harmony and...

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

Hunter college composer Victor Bobetsky has arranged this traditional Korean folk song for 2-part treble chorus with piano, it is great for a spring concert. By the way, toraji is a small root vegeta...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

What a great collection of songs! From the sorrowful Nae Mair We'll Meet Again to the spirited Cam' Ye By Atholl, this set will keep your audience and choir entertained. For men's voices with solos

A fun and upbeat folksong for Jr. high choir, both choir and audience are guaranteed to have fun with this one! From our Jean Ashworth Bartle Choral series

The canonic nature of this piece makes it rather easy to pull together. So, if you seek a last minute opening for a spring concert-this is it! The piece is scored for SSA voices with piano accompanime...

Richard Smith's arrangement of this familiar folk song is perfect for a secondary chorus

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The piece starts with unison women and then is followed by four-part men,...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The melody skips from part to part and has with challenging rhythmic sect...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. Set at a quick tempo, the humor is highlighted by a variety of musical de...

Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest...

A concert piece for secondary chorus, with piano duet from Three Scottish Folksongs. Also available: O Whistle And I'll Come To Ye (HMC649) and My Love's In Germany (HMC670)

Lively arrangement of this familiar spiritualMeaningful, but full of fun onomatopoeia, a joy to practice, perform, and hear!

This is an excellent arrangement of the traditional spiritual, very jazzy and upbeat!

A spirited arrangement (for SSA and keyboard) of a lesser known, but likable, spiritualMedium difficulty, for secondary level and above

The mixed chorus version of this piece has long been a favorite from the Hinshaw catalogue. In this arrangement, Andre Thomas sets the work for treble chorus with piano.