Spartiti facile Latina

Bossa nova and funk! Both you and the band will dig this very hip and playable chart for the grade 2 level by our newest writer, Mike Kamuf. Mike starts off with an easy bossa groove featuring 2nd tru...

In this unique Latin setting of Johann Pachelbel's most famous theme, written or ad lib solos are included for all, as well as a written piano solo.

This solid bossa/rock tune for developing groups starts and ends strong. Crisp brass punctuations, a steady 8/8 feel, and an expandable solo section are highlights. For soloists lacking the confidence...

This Latin bossa nova is ideal for bands at the easy level. The lyrical melody gives way to some exciting ensemble work that will make this a favorite of bands and audiences alike. Inspired by the Bra...

A solid rhythmic groove and a lyrical melody combine to create the foundation of this driving Latin chart. Rich ensemble voicings and an open solo section over easy changes make this a perfect vehicle...

From the opening notes to the final chord, this exciting Latin original features a strong melody, open solo space for all (written or ad lib), and plenty of full ensemble work.

Here's a suave Latin tune designed to feature your tenor sax and trombone soloists. A memorable melody is supported by sophisticated, yet accessible harmonic motives throughout. Authentic Latin device...

Try this bright Latin chart for developing groups featuring solos for piano, and the two cats alluded to in the title - namely alto saxophone and trumpet. Even if you use the minimum instrumentation o...

Kendor continues its tradition of publishing accessible jazz charts that have integrity and style with this selection for developing groups set in a bright Latin feel. The introduction played by piano...

We welcome California jazz educator Mike Dana to the Kendor family of writers with this spirited Latin original for developing groups. Containing reasonable ranges and rhythmic figures, plus an exciti...

A medium bossa, nova, Tiara is another great introduction to Latin styles for young bands. This selection will make the jazz band sound sophisticated beyond their years.

Ecco un'altra versione latina (Cha Cha) molto diretta di Baubles, Bangles & Beads, interpretata da Tito Puente e dalla sua Orchestra. È un brano d'insieme dall'inizio alla fine, molto ballabile. L'arr...

Por Una Cabeza è il famoso tango argentino del film "Scent of a Woman". Il nostro arrangiamento è molto facile da suonare, con gamme di ottoni basse, eppure rende il tango fantastico. La 'strofa' è su...

Il nostro schema di Desafinado è scritto come una bossa liscia, con i due sax tenori. Le linee di assolo del sax sono scritte, quindi non è necessaria alcuna improvvisazione. Gli ottoni hanno gamme li...

Wheels" è un piccolo Cha-Cha che risale ai primi anni Sessanta. Joe Loss e la sua Orchestra ebbero un piccolo successo di classifica con la loro versione. Il nostro schema, pur non essendo una trascri...

An exciting full band arrangement of this Latin Rock classic. Suitable for student bands with trombones cued onto saxes. Written out piano, tenor and optional alternative flute/trombone/guitar solos w...

Bring the warmth of the Caribbean to your next concert with this very playable relaxed vocal number. Usual big band line up,plus optional 3 Flutes, 3 Bb Clarinets and Horn in F. This title is ideal fo...

BIG BAND GIRL VOCAL. The 1960's hit number as recorded by Dusty Springfield, in the original steady beat Latin style. A tenor sax solo is included as an alternative to the vocal.

This bossa Nova/Swing is easy to play and sounds great.

Simple Latin based tune written in mostly unision, octaves, counterpoint and block harmonies. Written solos for tenor and trumpet.

A Latin tune based on different uses of the Phrygian Mode, it has 3 easy harmonic sections. Can be played with 6 horns & rhythm.

Lovely bossa nova featuring unison flute melody and flute solo. Originally recorded by the Bill Watrous Big Band on his album 'The Tiger of San Pedro'.

This is a beautiful medium tempo (mm=132) bossa that works great for young bands. The melody is played first by alto/tenor/trumpet/bone (with optional guitar or vibes.) The soloist (any of the above)...