Spartiti facile Festivo / solenne

Portraying the long-ago time of kings, queens and knights, this work featuring a majestic theme with unique tambourine embellishments will become a great concert favorite. Duration ca. 2:15

Here's a fun way to teach simple syncopation in a style that students love to play. Fiesta for Strings also lends itself to some clever staging and includes simple, pattern-oriented percussion to add...

A great way to introduce students to tone painting, this unique and fun-to-play selection traces the path of an imaginary river, which begins as a tiny spring and gradually grows. Themes from three fa...

A great way to introduce students to tone painting, this unique and fun-to-play selection traces the path of an imaginary river, which begins as a tiny spring and gradually grows. Themes from three fa...

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

Zadok the Priest, il primo dei quattro inni dell'incoronazione di G. F. Handel, è stato una parte importante dei servizi di incoronazione britannici da Giorgio II nel 1727 all'attuale sovrano, Carlo I...

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...