Spartiti facile Contemporary Jazz

Milt Jackson recorded this classic jazz standard in 1971 with Oscar Peterson on an album by the same name, but over the years it been recorded by countless jazz artists. Set in a moderate straight 8th...

Contemporary straight-eighth Maiden Voyage feel. This chart takes up where Suspended Animation left off. Uses same two suspended chords and adds a bridge. There is space for anyone in the band to solo...

Another wonderful original by Patty Darling, The Next Chapter is a fresh, contemporary easy-to-play chart. Starting with a light rhythmic feel, this great tune settles into a happening rock groove whi...

Composed by brothers Cannonball and Nat Adderley, this straight-eighth groove will captivate. At 120 BPM, the lead trumpet range is to written G on top of the staff, solos are written-out for alto and...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.