Spartiti difficile per Coro misto

Motetus II ist - wie Motetus I (SKR 20028) - ein räumlich konzipiertes Stück für zwei Chorgruppen. Im Gegensatz zum hymnischen Motetus I ist Motetus II jedoch ein Klagegesang, in den das 'De profundis...

After several attempts, Heinz Holliger finally managed to successfully set to music David Rokeah's poems which are dedicated to him. Shir Shavur is like a choir book with twelve very different movemen...

The text of this 'small sound piece' combines material from Petrarch's well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between - and sometimes mixing - Italian and Ge...

Per cori avanzati, questo lavoro è un'ambientazione ritmica di un testo latino classico. Un'ottima selezione per un programma invernale.

Per coro avanzato, una bella rappresentazione del rapporto tra acqua e uomo. L'immaginario della tastiera è scritto con competenza.

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Quando arrivi a un fiume... metti la mano nel suo ventre, senti l'energia, accarezza la sua potenza, recita la poesia dell'autrice americana Laura Tohe, cresciuta nella tradizione Navajo. Thierry Péoc...

Settings of medieval texts that feature singable and accessible straight-lined vocal movements suitable for both smaller and larger SATB choirs.

During his time as Master of the Queen's Music, Sir Peter Maxwell Davies wrote a new carol for Her Majesty the Queen each Christmas. Lullay, My Child, and Weep No More was the first in this series, wr...

Composed on commission in 2004 by the Netherlands Chamber Choir and the Chapter of the Winchester Cathedral, this is a setting of text from Canto XXXIII of Dante's Il Paradiso. It was first performed...

Motette für achtstimmigen gemischten Chor mit Solistenquartett: Das anspruchsvolle a-cappella-Werk in acht Teilen komponierte Holliger bereits 1959 für das gleichnamige Mysterienspiel von August Strin...

One of Martland's most popular works, often broadcast on BBC Radio 3, this brilliant and joyful piece culminates in a full-throttled version of the famous 'Sumer is i-cumen in'.

Chorpartitur

Angelus is an important addition to the choral ensemble repertoire - highly charged, dramatic and challenging for any good choir.

A fresh, lyrical choral work which will haunt your memory. The text was derived from various sources such as the Bible, poetry and lyrics from pop songs which are paraphrased or alluded to not only in...

This beautiful work, originally written for the Hilliard Ensemble, has been arranged by the composer for full choral forces.

This gravely beautiful choral work, dedicated to a victim of the Lockerbie air crash of 1988, consists of five sections and provides only two of the traditional requiem texts - 'Kyrie' and 'Agnus Dei'...

Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with...

The opening lines of Marcel Proust's In Search of Lost Time provide the text for Gerald Barry's Long Time. Beginning 'For a long time I used to go to bed early', the work unfolds over gently rising an...

'Lay VII' is part of the extensive cycle of the Machaut Transcriptions (ED 21070) in which Holliger studies the great 14th-century poet-musician in different levels of arrangement. The original Lay VI...

Chorpartitur - gemischter Chor