Spartiti difficile di Walrus Music Publishing

This is probably the most 'outside' chart I've ever written. This is designed for bands that like to deal with very experimental material and would require some work. An angular melody by unison brass...

Opens with a med. up piano/bass/drums esposition of the harmonic framework based upon a series of non functional first inversion chords, followed by an exposition of the main theme ( first by the alto...

Fairly up tempo ensemble double blues featuring an old fashioned sax duel between the first tenor and second alto. Stop time ensemble follows the solos leading to a screaming shout chorus. Great conce...

Medium tempo chart begins with a bass/piano rhythmic figure that sets up a tenor/trumpet bop line of the melody. A decrescendo interlude introduces solos from both tenor and trumpet. The interlude rea...

A Colourful ECM Style composition written for the De Anza College Eight O'clock Daddios Directed by Steve Tyler.The Ogham Stone starts as a dark melodic setting with melody played by Trumpet and Barit...

Essentially the same as the big band version, but for little band. Solo in Bass, Bari, Sax & Drums, some dbls. Scored for A,T,B, 2 Trpts, 1 bone & Rhy. No score.

Med-up blues w/solos for Trpt, Alto, Bone & Piano. Challenging ens playing w/ever changing colors. Alto & Tenor dbl. flute, Bari dbl. Bass Clari. Scored for A,T,B, 2 Trpts, 1 Bone & Rhy.

Up-tempo modal tune. Features solos for Guitar and Tenor sax. Alto doubles Flute/Bari doubles Bass Clarinet.

The chart, Groovin' Hard, as many people have said needs no description. Furthermore, it is considered by many as one of the greatest charts ever recorded by the Buddy Rich Big Band. But, since it has...

A challenging Alto and Tenor sax feature, this rhythm changes tune is highly chromatic but fun! Lead trumpet to written high D. Recorded on Glenn Cashman's Southland Nonet: Music Without Borders and i...

Walrus Little Big Band Charts Series This adaptation from the original Frank Foster big band score is now available for your Little Big Band. Instrumentation is A,T,B saxes, Tpt 1-2, Tbn, Guitar, Pian...

Spacy rock w/meter changes galore, some dbl x jazz, unusual orchestration & lots of wdwd color make up this extended arrangement. Guitar & Piano have the solo space. Dbls.

Comp by Bill Evans arr by Curt. Fieve is an earlier Bill Evans tune based on 'rhythm' changes. The tune (and the arrangement) is a study in tuplets, especially five quarter notes over four. The head i...

The melody/lead is split between two players, and the jazz may be shared in desired. The chart employs mixed meters at beginning and end, and requires a rhythm section with very good reading ability....

Medium minor blues. There is much additional material as well. The bass trombone is featured both in written and improvised solos, and the third trombone has an extended solo as well. Both the bassist...

The tempo is medium fast with a strong swing feel. The title of this Bill Evans composition suggests the fact that the meter continually alternates between sections of 3/4 and 4/4/ time. Both tenor tr...

Here is a chart based on changes from a well-known jazz classic from the 60's which alternates between Latin and swing feels. Soloists include bass trombone, piano, tenor bone, and drums. The ensemble...

If the title doesn't suggest the tune on which the chords in this Curt Berg chart is based, it will soon become apparent when played. The key, however, modulates up a minor third half-way through the...

An up-tempo original by Curt that is loosely based on some classic changes by Ray Noble. Solos are shared by solo trombone, piano and drums. There are occasional half-time seing sections on the bridge...

Improvisational piece. Modal bass groove. Conceptually difficult. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums

Exciting, very demanding head played by all! Samba/up-swing. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums.

Chart based on a 15 beat ostinato pattern, over which different metric schemes are superimposed. There is also a secondary theme in 5/4 time. The rhythmic feel is always straight eights, sometimes get...

Chart begins with a pianoless chorale in 4/4 time, accelerating into a train-like 6/4 samba feel. Three different 4-bar melodic sections are run over a rhythmic vamp, leading into 10-bar secondary sec...

Medium swing feel, and alternates between 6/4 and 4/4 time. The rhythm parts are fully notated on the head, and will challange the best band. The solos are mostly in 6/4 time, and a short written inte...

Chart combines bossa nova and samba feels along with 3/4 and 4/4 meters to make an interesting and harmonically complex composition. Backgrounds are provided behind the soloists. Scored for Trpt, Teno...