Spartiti di Musica classica romantica per Orchestra

In the style of commedia dell'arte In 1918 Gabriel Fauré, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the 'commedia dell'art...

In the style of commedia dell'arte In 1918 Gabriel Fauré, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the 'commedia dell'art...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> First Urtext edition > Based on 'Gabriel Fauré The Complete Works' > Score and orchestral parts in a large format (25.5 x 32.5 cm) ncidental music with the famous 'Sicilienne' Fauré wrote 'Pelléas e...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Il Concerto per violoncello e orchestra di Robert Schumann è la prima grande opera romantica di questo genere a non essere stata composta da un violoncellista. Tuttavia, Schumann, che lavorò a questa...

Il Concerto per violoncello e orchestra di Robert Schumann è la prima grande opera romantica di questo genere a non essere stata composta da un violoncellista. Tuttavia, Schumann, che lavorò a questa...

Il Concerto per violoncello e orchestra di Robert Schumann è la prima grande opera romantica di questo genere a non essere stata composta da un violoncellista. Tuttavia, Schumann, che lavorò a questa...

Il Concerto per violoncello e orchestra di Robert Schumann è la prima grande opera romantica di questo genere a non essere stata composta da un violoncellista. Tuttavia, Schumann, che lavorò a questa...

Il Concerto per violoncello e orchestra di Robert Schumann è la prima grande opera romantica di questo genere a non essere stata composta da un violoncellista. Tuttavia, Schumann, che lavorò a questa...