Spartiti di Musica classica romantica per Orchestra

Claude Debussy's (1862-1918) Pelléas et Mélisande adapted Maurice Maeterlinck's play of the same name in which Prince Golaud marries a mysterious young woman, Mélisande, but becomes jealous of his hal...

Claude Debussy's (1862-1918) Pelléas et Mélisande adapted Maurice Maeterlinck's play of the same name in which Prince Golaud marries a mysterious young woman, Mélisande, but becomes jealous of his hal...

Wolfgang Amadeus Mozart (1756-1791) wrote the music to COSI FAN TUTTE (So do they all), his third collaboration with librettist Lorenzo da Ponte, only after his contemporaty Antonio Salieri rejected t...

Finished in 1848 and premiered in 1850 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princes...

Romanian composer, violinist, and conductor George Enescu (1881-1955) (Fr. Georges Enesco) wrote the two Roumanian (Romanian) Rhapsodies, Op. 11, in 1901. Much like Liszt's Hungarian Rhapsodies, both...

Sergei Prokofiev (1891-1953) dedicò il suo CONCERTO per pianoforte n. 1 in re bemolle, op. 10, al suo maestro Nikolai Tcherepnin. Composto negli anni 1911 e 1912, fu eseguito per la prima volta a Mosc...

Sergei Prokofiev (1891-1953) dedicò il suo CONCERTO per pianoforte n. 1 in re bemolle, op. 10, al suo maestro Nikolai Tcherepnin. Composto negli anni 1911 e 1912, fu eseguito per la prima volta a Mosc...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

Dopo la sconfitta di Napoleone durante la campagna del 1813, il patriottismo tedesco ebbe un'impennata di popolarità. Questa tendenza influenzò pesantemente la poesia e la musica dell'epoca. Nel 1814,...

Dopo la sconfitta di Napoleone durante la campagna del 1813, il patriottismo tedesco ebbe un'impennata di popolarità. Questa tendenza influenzò pesantemente la poesia e la musica dell'epoca. Nel 1814,...

The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...