Spartiti di Musica classica moderna per Pianoforte

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano...

Easy piano arrangement by Christopher Norton of this famous piece, published to link with the release of an Adidas TV commercial.

Enthält 2 Spielpartituren. Erstveröffentlichung der Bearbeitung für Klavierduo von Brittens frühem Meisterwerk für Orchester, den Variationen über ein Thema von Frank Bridge, op. 10. In seinem Vorwort...

Zum ersten Mal als komplette Sammlung erhältlich: Das vollständige Klavierwerk von Kurt Schwertsik. Albumblätter - 14 kurze Stücke, die für Freunde des Komponisten geschrieben wurden, sowie Cinque Noc...

The Definitive Bartók Edition brings together selected highlights from Béla Bartók's extensive pedagogical piano catalogue for the very first time. Featuring repertoire from For Children, Mikrokosmos,...

Existing edition of A Charm of Lullabies (BH 5000052) extended by an appendix containing two settings originally intended for the cycle but discarded by the composer: A Sweet Lullaby (Nicholas Breton)...

Leokadiya Kashperova (1872-1940), finora relegata in una nota a piè di pagina della storia della musica come insegnante di pianoforte di Stravinskij, è in fase di riscoperta. Doppiamente diplomata al...

Béla Bartók (1881–1945) is widely acknowledged as one of the most distinguished and influential composers of the twentieth century. Born in Hungary to a musical family, he became a leading internation...

Le Danze sinfoniche furono l'ultima grande opera di Rachmaninoff. Inon Barnatan commenta: Qualche anno fa, mi sono imbattuto in una registrazione unica nel suo genere, risalente al 1940: una registraz...

Leokadiya Kashperova (1872-1940), finora consegnata a una nota a piè di pagina nella storia della musica come insegnante di pianoforte di Stravinskij, è in fase di riscoperta. Doppiamente diplomata al...

Commissionata dal China National Centre for The Performing Arts, dalla San Francisco Symphony, dalla Toronto Symphony Orchestra, dalla Philharmonie de Paris - Orchestre de Paris, dalla NDR Elbphilharm...

A set of seven dances originally composed for children. Stemming from his earlier years, these pieces exclude humour and imagination.

Published for the first time, the 1972 work is likely the most difficult piano repertoire the composer wrote. Edited by pianist Barbara Nissman, to whom Ginastera dedicated his third piano sonata.