Spartiti di Musica classica moderna per Coro misto

Canzona Napolitana (italienisch, deutsche Übersetzung beigegeben, nicht singbar). Sopran solo, Tenor solo, Gemischter Chor-SATB, Schellentrommel, Tamburin ad lib. - Singpartitur

Nel 2016 ricorre il centesimo anniversario della morte di Max Reger. Oltre al suo campo creativo più noto, le opere per organo, le composizioni per coro costituiscono un'altra parte importante della s...

Written for the 400th anniversary of Shakespeare's birth and premiered by the Keswick Hall Choir, Norfolk at their concert 'Full Fathom Five' on 23rd April, 2016.

In Silvestrovs kurzem Chorsatz erklingt nur ein Teil der von Beethoven verwendeten Zeilen aus Schillers 'Ode an die Freude' - die Strophe 'Freude schöner Götterfunken' und 'Seid umschlungen, Millionen...

Alexander Glasunov's chorus 'Vniz po matushke po Volge' is unique, largely unknown and unpublished in the West so far. His elaboration of this elegiac Russian folk song evolves from the unanimously in...

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

Il compositore inglese tardo-romantico Maunder è ancora oggi importante nella musica sacra, in particolare attraverso le sue cantate, soprattutto la cantata della Passione "Olivet to Calvary". Anche l...

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...

Georg Christoph Biller, direttore del coro della chiesa di San Tommaso a Lipsia, si è proposto di arrangiare il brano strumentale probabilmente più popolare del suo grande predecessore in questa posiz...

Georg Christoph Biller, choirmaster of St. Thomas' Church in Leipzig, set out to arrange the probably most popular instrumental piece of his great predecessor in this position: the famous 'Air' from t...

Elegi was originally written for orchestra by Hugo Alfvén, from the 'Gustav II Adolf' suite. Here it is transcribed for soloist and mixed choir by Thomas Caplin.

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.