Spartiti di Compositrici: Scoprite la ricchezza del talento femminile

This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text was co-written by the composer and the vocal percussionist...

Earlene Rentz ' Gaudeamus Hodie for three part Mixed Choir and Keyboard.

Scored for solo Soprano, Alto, Tenor, Bass, SATB chorus and Orchestra.

This poignant setting of a text by Angier Brock invites us to reflect on how we receive the imago dei in others. Gentle yet captivating throughout, this piece centres on themes of faithful living, hos...

All sections of the choir take a turn singing the elegant melody in this harmonically rich concert work. Encourage pure vowels when pronouncing the familiar Latin text, which comes from the Mass Ordin...

Events throughout the world remind us daily how much we need peace and harmony. Music is truly the universal language and this song paints the vision of how music can bring us together in peace. The b...

A three movement work for vibraphone, xylophone, and two marimbas, this programmatic piece depicts stages of the great biblical flood. Movements are: I. Raindrops, II. The Flood, III. Rainbows

Die Komposition 'Musik zu Kafka' für Schlagwerk solo geht zurück auf ein größer angelegtes Werk für Singstimme und fünf Instrumentalisten, das 1990 unter dem Titel 'Frühe Kafka-Texte' entstand (erschi...

Ran was asked for a new work for Mimi Stillman's Dolce Suono Ensemble and their Mahler/Schoenberg 2012 concert series. Creating a piece that would be at once an homage and a companion piece to Schoenb...

Arranged by Meng Hao-Ran. Mixed chorus. For SSAATTBB Chorus. Premiered by the Ithaca College Choir on November 15, 1997 under the direction of Prof. Lawrence Doebler. Choral. Piano/Vocal Score. Compos...

sehr schwer, wechselt zwischen Horn in E und Horn in F, die Komponistin benutzt den kompletten Tonumfang des Horns (von sehr tief bis sehr hoch),manche Stellen "con sordino"und auch kurze gestopfte St...

Rappresentando la speranza che tutti noi possiamo vivere con pensieri pacifici, questa ballata espressiva permette agli ensemble più giovani di lavorare sulle abilità essenziali di suonare in stile le...

Spiders? Nope! brings people's fears of the eight-legged arachnid to life with its creepy, crawly rhythm, hair-raising dissonances, and staccato movement. Trumpet's highest note is D. Clarinets do not...

Amberwood Overture is in ABA form. There are no key changes and the rhythms throughout are simple, thus allowing extra rehearsal time for tone development as well as attacks and releases. The attacks...

This medley features three well-known American folk songs: Billy Boy, This Old Man and Skip to My Lou. The beat remains constant throughout the piece. (2:30)

Shelley Hanson originally composed Islas y Montañas for orchestra. Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns b...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...

Tomaso Albinoni (1671-1751) was a prolific Baroque-era composer whose works are now rarely performed. However, he was much admired by J. S. Bach who used examples of Albinoni's music in his teaching,...