Spartiti di Compositrici: Scoprite la ricchezza del talento femminile

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear or...

Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece, I was inspired by Auguste Rodin's sculpture The Three Shades, a detail sit...

Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of pro...

This composition is based on the song 'Lai, Lai, Lai' written by a group of intellectuals who were executed in Teheran in 1973 during the reign of the Shah. A song of the Resistance, it depicts a moth...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

The title of this easily playable clarinet quartet refers to the tear-off calendars popular in Germany: the date on the front, aphorisms and maxims on the reverse - coincidental and unconnected, yet s...

Can't We Be Friends written by Kay Swift with words by Paul James, in the key of F Major arranged for voice and piano with guitar chords.

Evelyn Glennie’s ever-popular A little prayer, arranged for solo piano and available to print instantly at home in digital sheet music format.

Written for, and inspired by, the remarkable virtuosity of Roger Woodward – though actually left unheard for five years after its composition in 1981 – Anne Boyd’s Book of the Bells is a 20-minute tou...