Spartiti di compositrici per ensemble misti: Risonanze d'autrice

Serenatas was commissioned by the Santa Fe Chamber Music Festival and La Jolla Music Society for SummerFest. It was first performed in Summer 2008 as part of the Santa Fe Chamber Music Festival, given...

Kaija Saariaho's Frises for Violin and Electronics. This work was commissioned by Borusan Culture and Arts, Istanbul. The world premiere took place on 2 November 2012 at Borusan Music House, Istanbul,...

Score and Parts. Arranged for Soprano, Flute, Cello and Piano.

Die Brücke wurde ursprünglich für den Musizierkreis des Herausgebers Walter Gerwig komponiert. Auf seinen Wunsch hin vereinfachte Felicitas Kukuck den Lautenpart (der für die heute verbreitete Gitarre...

For Flute, Cello, and Piano

This theatrical miniature has carved a unique place in music literature, thanks to many warm hearts and minds. In 2005 the distinguished violinist Kelly Hall-Tompkins started a project called Music Ki...

For Harp and Percussion Ensemble

For Bass Trombone, Strings, Timpani And Cymbals

For Oboe and Strings

For Alto Saxophone and String Quartet

Faced with the same instrumentation as Messiaen's iconic Quartet for the End of Time, composed in a POW camp during World War II, Ellen Taaffe Zwilich was moved to give voice to those less fortunate p...

Ellen Zwilich has enjoyed a lifelong love of chamber music for mid-size ensembles and atypical scorings. Her fascination for Schubert's "Trout" Quintet has inspired several works that include contraba...

For Bb clarinet and Violoncello

Shulamit Ran's delicately tinted chamber work Birkat Haderekh...glowed with a sense of gentle but firm supplication; its title rendered from the Hebrew as 'Blessing for the Road.' -- Jeremy Eichler; T...

In celebration of its 75th anniversary season; the Tanglewood Music Center commissioned a mixed quartet from Shulamit Ran; resulting in this work's original 2015 scoring for Bb Clarinet; Violin; Cello...

In writing Music for Eight Lungs I wanted to treat the voice similarly to the instruments, so that the piece would weave all four parts into a fabric equally. But I also wanted to play with our percep...