Spartiti di Compositrici per Coro misto: Eccellenza per ogni ensemble

The Spacious Firmament 2: Yet we who neither burn nor shine is a sequel to The Spacious Firmament. Both pieces may be performed separately, but The Spacious Firmament should always come first if they...

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.

This meditative, folk-style anthem is given a Scottish lilt through the use of Scotch snap rhythms and held drone-like vocal lines. McDowall chose to set this traditional Scottish Gaelic Blessing for...

Chilcott's mighty setting of words from St John's Gospel is a dramatic yet optimistic re-telling of the Passiontide story. As with Bach's great Passions, the role of the Evangelist is taken by the ten...

This famous Christmas carol is set to Redner's tune, which is the version most known in The United States. Rutter has also included a descant for the final verse. Offprinted from the collection Joy to...

One of Chilcott's earliest compositions, The Modern Man I Sing is a setting of poems by Walt Whitman. A recording of the work by the BBC Singers is featured on the Signum Classics CD SIGCD100.

This gentle, reflective piece, originally from Three Children's Songs, has been arranged for a mixed choir and is perfect for a spring concert. Offprinted from Vaughan Williams for Choirs 2.

With specially written poems by Kãrlis Verdinš based on the Adonis chapters from Frazer's The Golden Bough, each song in this little cycle explores a single Affekt.

This anthem sets a descriptive passage by Milton that sees the poet ask for guidance as he enters the 'studious Cloysters pale'. Jackson sets the words sensitively, building to a glorious climax on 'A...

This popular Christmas carol includes German as well as optional English lyrics. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Carols Set 1.

Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises.

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano or barito...

This is the first published edition of an anthem by Henry Walford Davies that dates from the mid 1890s. Scored for lower voices, AATTBB, it is a setting of an anonymous text from 1836 that is suitable...

This slightly sombre setting of five poems is homophonic, giving the impression of a single vocal line. The very close harmony throughout conveys a sense of restraint and a longing to escape from the...

This piece originates from a cycle of songs for mixed voices entitled A Garland for the Queen; a collection of pieces by ten British composers to mark the occasion of the Coronation of H.M. Queen Eliz...

This still and reflective motet was written and first performed for the Coronation of Queen Elizabeth II, and is suitable for many festive occasions such as weddings and All Saints' Day. Offprinted fr...

Illuminate your concert or church service with "Christ is the morning star"—a profoundly moving work for mixed choir (SATB) and organ. Published by the renowned Oxford University Press, this compositi...

Inspired by a 16th-century Scots text, Jackson has composed a memorable carol full of character and beauty. The choir is serenaded throughout by the organ, which imitates the haunting qualities of the...

This joyful carol sets a text by Henry Wadsworth Longfellow. The piece opens with an imitation of bells spread across the voices, and this festive, celebratory quality is maintained throughout. Simple...

God is Light, published by Oxford University Press, is a deeply moving and radiant a cappella motet for five-part mixed choir (SSATB). Originally composed in aid of Macmillan Cancer Support, this comp...

A rich texture is used in Gombert's setting of Quam pulchra es, with all voices singing almost all of the time. This texture is created through refined imitative contrapuntal writing, rather than homo...

Originally published in Epiphany to All Saints for Choirs, this seventeenth-century anthem for The Ascension of the Lord is full of melismatic polyphonic lines and features a fluid tonal centre.

This dazzling work presents an exploration of light in its many forms and uses, from starlight and sunlight to electricity, photosynthesis, or guiding ships to safety. Both piano and voices are used p...