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Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
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The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
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The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
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The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
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The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
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Bryars steers clear of the traditional virtuoso show-piece style concerto, instead opting for a work that, like baroque concertos, can be led by the soloist. There are allusions to Vivaldi's Four Seas...
Bryars steers clear of the traditional virtuoso show-piece style concerto, instead opting for a work that, like baroque concertos, can be led by the soloist. There are allusions to Vivaldi's Four Seas...
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Commissioned by the St Magnus Festival and first performed there in 2007, The Seas of Kirk Swarf, like many of the composer's works, draws inspiration from the Orkney Isles where Maxwell Davies lives....
Commissioned by the St Magnus Festival and first performed there in 2007, The Seas of Kirk Swarf, like many of the composer's works, draws inspiration from the Orkney Isles where Maxwell Davies lives....
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Written for the Hilliard Ensemble and the strings of the Norwegian Chamber Orchestra, the composer sets two texts from St. Columba about the power of the human voice. The work is divided into two part...
Written for the Hilliard Ensemble and the strings of the Norwegian Chamber Orchestra, the composer sets two texts from St. Columba about the power of the human voice. The work is divided into two part...
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Having previously been granted the diploma of the Bologna Academy in December 2011, Maxwell Davies wrote his Concerto Accademico as both an expression of gratitude to the Regia Academia Filarmonico di...
Having previously been granted the diploma of the Bologna Academy in December 2011, Maxwell Davies wrote his Concerto Accademico as both an expression of gratitude to the Regia Academia Filarmonico di...
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I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than th...
I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than th...
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Einzelstimme - Solo-Singstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum
Einzelstimme - Solo-Singstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum
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Hindemith's succinct instructions in the original score of the 1932 'Cantata' (ED 1624, performance repertoire) for part of the 'Plöner Musiktag' are: 'The three preceding choral pieces are sung toget...
Hindemith's succinct instructions in the original score of the 1932 'Cantata' (ED 1624, performance repertoire) for part of the 'Plöner Musiktag' are: 'The three preceding choral pieces are sung toget...
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Einzelstimme - hohe Streicherstimme
Einzelstimme - hohe Streicherstimme
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