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'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...
'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...
- violoncello e pianoforte
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- Schott Musik
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The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
- violoncello e pianoforte
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The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...
The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...
- violoncello
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- Alfredo Carlo Piatti
- Schott Musik
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Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
- violoncello e pianoforte
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Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...
Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...
- violoncello e pianoforte
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- Schott Musik
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- violoncello
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- Schott Musik
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When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
- violoncello e pianoforte
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- Schott Musik
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- violoncello e pianoforte
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- Carl Schröder Eugen Rapp
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After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...
After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...
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Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
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In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
- violoncello e pianoforte
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- Julius Berger
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In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
- violoncello e pianoforte
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- Julius Berger
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For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...
For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...
- violoncello e pianoforte
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- Julius Berger
- Schott Musik
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- violoncello e pianoforte
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- Carl Schröder
- Schott Musik
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- violoncello e pianoforte
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There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the...
There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the...
- violoncello e pianoforte
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- Claus Kanngießer
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This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...
This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...
- violoncello
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- Boris Pergamenschikow
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A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
- violoncello e basso continuo
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- Rainer Mohrs
- Schott Musik
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Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
- violoncello e pianoforte
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- Fritz Zumkley
- Schott Musik
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
- violoncello e pianoforte
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- Fritz Zumkley
- Schott Musik
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Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
- violoncello
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- Schott Musik
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- violoncello e pianoforte
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- Schott Musik
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The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
- violoncello e pianoforte
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- Schott Musik
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