Spartiti da scaricare di G. Schirmer

This South African folksong is quite simple to learn and quite effective in performance, with the parts entering gradually and then taken away. Intended as a morning ceremonial song, it may be sung a...

A profoundly beautiful poem speaks of life as a series of doors opening and of sighs unfolding, one upon another, rising on a tide of mornings. The music creates a peaceful atmosphere of unfolding son...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

This unaccompanied choral work for mixed voices draws the audience into a world of deep emotion, rich harmony and vivid imagery. Drawing upon the subconscious bond between mother and child, the work e...

The Pulizer Prize winning Israeli-American composer Shulamit Ran composed these four settings for the Bar Mitzvah occasions of her two sons. From the story of creation to passages such as How fair are...

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

Samuel Barber created this arrangement while he was conducting the Madrigal Choir at the Curtis Institute. His editorial markings and interpretations have been meticulously recreated for this immensel...

This beloved American folk lullaby incorporates the repeated word hush-a-bye throughout the arrangement, creating a sweet and calming effect as the melody weaves in and out between the different vocal...

With a special connection to the poetry of Langston Hughes, Kirke Mechem has written a new, a cappella spiritual. Opening with a musical statement by a soprano soloist, the soloist is featured through...

Jon Washburn has crafted a lush and dramatic setting of this traditional Japanese folksong. Using the choir as a traditional Japanese stringed folk instrument, Jon sets the mood with a gentle vocal ac...

THE GIFT WAS CREATED WITH THE LONG, WARM REVERB OF A CATHEDRAL IN MIND. THE REQURED THE COMPOSER TO CREATE SPACES IN THE MUSIC WHICH LEAVE ROOM FOR ECHOING RESONANCE. IT IS DREAMLIKE AND IMPRESSIONIST...

The text of this exciting choral work is based on the inscription on the Statue of Liberty. It will be sung for President Barack Obama, Vice President Joe Biden, their families and other invited frien...

Commissioned to honor a marriage celebration, this text by the early 20th-century poet, Amy Lowell, speaks to love and commitment. But the title is enigmatic (no sprigs of resemary are mentioned in th...

Reflections from composer Jameson Marvin on a love that is quiet and secure as a result of a life well lived and well loved. And even after many years together, the excitement of a love that can still...

Dale Warland Choral Series A Lover's Journey is a set of four pieces which chronicles the extraodinarily commonplace yet supremly elegant story of love and valentining. Written as a Valentine to The K...

Setting the Wendell Berry To My Mother but incorporating it for his parents, Joshua Shank portrays the sense of wandering and confusion in the early sections of his music but ultimately finds the reve...

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Though it sounds very much like a folk song, Lorena was actually composed in 1856. It became extremely popular during the Civil War, when it was a favorite of both Confederate and Union soldiers who l...

This arrangement of the beloved folk song was first premiered by the Yale Glee Club in the fall of 2006, and has since become an audience favorite. Probably referring to the Red River that flows north...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

These three choral vignettes are inspired by the whimsical poetry of Emily Dickinson. All three pieces require a free play of fancy and imagination. Using extended, aleatoric passages, non-metrical an...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...