Spartiti da scaricare di Dieter Schnebel

Motetus II ist - wie Motetus I (SKR 20028) - ein räumlich konzipiertes Stück für zwei Chorgruppen. Im Gegensatz zum hymnischen Motetus I ist Motetus II jedoch ein Klagegesang, in den das 'De profundis...

Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Violine I, Violine II (Flöte/Klarinette), Viola (Bass-Klarinette/Posaune), Violoncello und Klavier

Eli lamah asabthani - My God, why have you left me', this word of Jesus Christ on the cross has been set to instrumental music in the slow movement of the string trio. Taken as an individual setting,...

Eli lamah asabthani - My God, why have you left me', this word of Jesus Christ on the cross has been set to instrumental music in the slow movement of the string trio. Taken as an individual setting,...

This string quartet by a grand master of the German avant-garde combines a decidedly traditional four-movement structure with experimental situations in the concert hall. In various sections the perfo...

It is not only with regard to the instrumentation that the string quintet Sonanzen (a play on the words 'consonance' and 'dissonance') follows the famous example of Schubert, and even Wagner's Tristan...

PAN è un'improvvisazione su file tonali e modelli ritmico-dinamici dati. Ogni fase maggiore o parziale del processo di improvvisazione ha uno spazio tonale che può essere riprodotto più volte; questo...

The work is in two parts. 'Lamento di Guerra I' was written in the wake of the Gulf War; an initially plaintive lamentation turns more urgent and ends in howling. 'Lamento di Guerra II', triggered by...

Ausarbeitung des 1959-60 definierten Projekts Glossolalie