Spartiti da scaricare di Bob Chilcott

Bob Chilcott wrote this piece at the request of a friend and colleague Michael Emery, the Producer of the BBC Singers, who wanted a new piece to sing at Mass in Notre Dame, Paris, while touring with t...

Faith's Foundation celebrates church architecture as a means of teaching and representing Christian values. Setting George Herbert's poem The Church Floor, this piece marvels in melodic clarity and fl...

The story of the journey of Mary and Joseph to the stable in Bethlehem, set against a bleak winter landscape. An accompaniment for small orchestra is available on hire.

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting and enigmatic medieval poem. The style is akin to folk ballad,...

Bob Chilcott's arrangement of the Sussex Carol is a sprightly setting in 7/8. The verses are heard in unison, followed by two- and three-part canon, set against a cheerful piano figure. In the final v...

Combining texts by Christina Rossetti and Robert Burns, the composer imbues both themes with a sense of happiness and contentment with the world, and the interplay between the melodies results in a tr...

Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and grows in texture throughout the piece...

In this energetic piece Chilcott sets both the original unpublished and familiar published version of 'The Mouse's Tale' from Lewis Carroll's Alice's Adventures in Wonderland. With jazz influences, an...

Originally published in the collection Alan Bullard Anthems, this optimistic setting of Jan Struther's famous text is perfectly suited to performance at a variety of occasions, including at weddings,...

This is a fresh and optimistic version of a nineteenth-century hymn set in a rock-gospel style. The results are uplifting.

A charming and straightforward setting of a poetic text by Sabine Baring-Gould, this delightful carol is characterized by a simple and effective melody. The voices are in unison for much of the piece,...

This attractive setting of a text by Christina Rossetti combines a shapely melody with a gentle, rippling piano accompaniment. Ideal for Easter concerts and services.

This is a gentle, blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies, blues chords, and syncopation combine with the classic Chilcott sound to crea...

A short, simple, but joyful piece that never raises its voice above piano.

This setting is faithful to the original folksong melody 'She's like the Swallow'. The straightforward piano part sets the mood, cleverly supports the voices, and helps illustrate the story of the tex...

From the upper-voice collection Times and Seasons, 'Night/Winter' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are b...

From the upper-voice collection Times and Seasons, 'Evening/Autumn' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, 'Midday/Summer' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, Morning/Spring' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

Originally published in Five Song for Upper Voices, this piece sets text by the ancient Chinese philospher Lau-Tzu, and explores the the idea that 'all things pass' in this ever-changing world. A cont...

With a text by Coventry Patmore, this short song in simple two part explores the timelessness of truth with a touch of melancholy. Originally published in Five Song for Upper Voices.

From the collection Hark, hark, the lark, 'Come unto these yellow sands' is a setting by Bob Chilcott of words from Shakespeare's The Tempest. This lively piece is scored for upper voices with piano,...

From the collection Hark, hark, the lark, 'Our revels now are ended' is a setting by Bob Chilcott of the famous monologue from Shakespeare's The Tempest. Scored for upper voices with piano, this rhyth...