Spartiti classica

Mendelssohn descrisse la sua opera del 1840 Lobgesang come "una sinfonia per coro e orchestra". È ormai saldamente affermato nel repertorio standard dei maggiori cori oratoriali. Per molti cori, Lobge...

Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an at...

Mendelssohn's oratorio Elias (Elijah) was composed at a time when large choral societies were formed and music festivals involving hundreds of singers were all the fashion. 271 singers and 125 orchest...

But, dear Beethoven, what have you done again? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C...

While Joseph Gabriel Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accomp...

Gioachino Rossini (1792-1868) iniziò a lavorare alla sua versione dell'inno tradizionale, lo Stabat Mater, nel 1831 su richiesta di un certo Fernández Varela. Poiché la salute cagionevole impedì a Ros...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

Questa è la seconda delle sei Messe composte da Franz Schubert (1797-1828), spesso chiamata anche "Messa in sol," e rimane la più conosciuta delle tre ambientazioni più brevi intitolate "Messa." Compo...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

KOMM, SÜSSER TOD (Vieni, dolce morte) fu originariamente scritta per voce sola e basso continuo come parte dei 69 CANTI SACRI E ARIE che J. S. Bach contribuì al MUSICALISCHES GESANGBUCH di Georg Chris...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Features Phillip's remarkable solo arrangements of 15 favorite hymns: Abide with Me - All Creatures of Our God and King - Be Thou My Vision - I Sing the Mighty Power of God - The Lord's My Shepherd, I...

With electronic keyboards, synthesizers, and MIDI available today, this new collection of seven hymns arranged at medium-difficulty level is the perfect vehicle to utilize harpsichord sounds. And if y...

Schubert's 'Ave Maria', arranged for intermediate piano solo. Transcribed by Stephen Heller.

Transcriptions for pianoforte from the works of J. S. Bach - Reissue of an iconic OUP publication from 1932 - Twelve Bach transcriptions prepred for the acclaimed English pianist Harriet Cohen - Cont...

A Classical-Style Service combines favorite hymns with excerpts from beloved masterworks by Classical period composers - Haydn, Mozart, Beethoven, and Clementi. These medleys range from meditative to...

A Romantic-Style Service combines favorite hymns with excerpts from beloved masterworks by Romantic period composers - Chopin, Mendelssohn, Liszt, Brahms, Grieg, MacDowell, Sibelius, and Rachmaninoff....

An Impressionist-Style Service combines favorite hymns with excerpts from beloved masterworks by Impressionist period composers - Fauré, Debussy, Ravel, and others. These medleys range from prayerful...

A Baroque-Style Service combina gli inni preferiti con estratti di amati capolavori di compositori del periodo barocco: Bach, Handel, Pachelbel, Purcell, Scarlatti, Telemann e Vivaldi. Questi medley v...