Spartiti classica

Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purificatio...

Également inclus dans le set

Également inclus dans le set

Également inclus dans le set

Également inclus dans le set

Également inclus dans le set

Également inclus dans le set

Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdichtungen vermischt worden.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his...

La cantate Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109 (Je crois, cher Seigneur), composée pour le 21e dimanche après la Trinité 1723, est caractérisée par un dialogue entre foi et incrédul...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...