Spartiti classica per orchestra

The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...

The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...

The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...

L'ALLEGRO APPASSIONATO IN DO MINORE, Op. 70 è un'opera per pianoforte e orchestra di Camille Saint-Saëns (1835-1921). È la seconda composizione del compositore ad essere chiamata così, composta più di...

Franz Joseph Haydn (1732-1809) wrote his SYMPHONY No. 1 in D major, Hob. I:1, at the beginning of his role as music director for Count Karl Joseph Franz Morzin. Composed in 1757, it opens with a slow...

When Karl Traugott Queisser, trombonist in the Gewandhaus Orchestra, asked Felix Mendelssohn to compose a trombone concerto for him, the composer declined due to time restraints. The task went to the...

Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...

Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...

Cellist and composer David Popper published the CELLO CONCERTO No. 5 in C major, Hob. VIIb:5, in 1899 as a completion of stetches supposedly made by Franz Joseph Haydn (1732-1809). Due to more recent...

Nel marzo del 1791, Wolfgang Amadeus Mozart (1756-1791) compose l'aria da concerto PER QUESTA BELLA MANO, K. 612, poco prima di iniziare a lavorare al FLUTO MAGICO. È conosciuta per la sua parte di co...

Johann Nepomuk Hummel (1778-1837) scrisse il suo CONCERTO PER PIANO N. 3 in si minore, OP. 89 nel 1819. Simile al suo secondo concerto per pianoforte, è composto in uno stile proto-romantico che antic...

MANON, written by Jules Massenet (1842-1912) was composed in 1883 and premiered the following year on January 19 at the Opéra-Comique. It tells the story of a young woman who, despite being a good per...

Antonio Vivaldi (1678-1741) compose probabilmente tre ambientazioni dell'inno Gloria in excelsis Deo, anche se solo due sono sopravvissute. Era comune per Vivaldi scrivere mottetti introduttivi da ese...

Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 2...

Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the...

French composer Florent Schmitt (1870-1958) originally composed the ballet La tragédie de Salomé in 1907 for a commission from Jacques Rouché for American dancer Loie Fuller and the Théâtre des Arts,...

French composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservato...

Emmanuel Chabrier (1841-1894), avvocato francese divenuto compositore autodidatta, scrisse il LARGHETTO per corno nel 1875. Assomigliando a un'aria d'opera per corno francese, l'opera è molto lirica e...

The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...

The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...

Antonín Dvorák (1841-1904) compose il suo Concerto per violoncello in si minore, Op. 104/B. 191 nel 1894. Fu l'ultimo concerto per violoncello solo che il compositore scrisse durante il suo mandato tr...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...