Spartiti classica per orchestra

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, who lives in Wiesbaden combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Il Boléro di Maurice Ravel (1875-1937), M. 81/ IMR 4, è un brano nato da un esercizio di orchestrazione basato su un ritmo tipico della danza spagnola che dà il titolo all’opera. Oggi viene solitament...

Flauto/Piccolo, Clarinetto in La, Fagotto, Corno in Fa, Tromba in Sib, Trombone 1/2, Trombone 3, Cimbali, Gran Cassa, Cajon, Congas, Celesta, Chitarra elettrica, Pianoforte, Bandoneón, Violino I, Viol...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Pianoforte, Bandoneon, Chitarra elettrica, Percussioni, Violino I, Violino II, Viola, Violoncello, Contrabbasso