Spartiti classica per orchestra

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, who lives in Wiesbaden combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Il Boléro di Maurice Ravel (1875-1937), M. 81/ IMR 4, è un brano nato da un esercizio di orchestrazione basato su un ritmo tipico della danza spagnola che dà il titolo all’opera. Oggi viene solitament...

Flauto/Piccolo, Clarinetto in La, Fagotto, Corno in Fa, Tromba in Sib, Trombone 1/2, Trombone 3, Cimbali, Gran Cassa, Cajon, Congas, Celesta, Chitarra elettrica, Pianoforte, Bandoneón, Violino I, Viol...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 in Sib, Fagotto, Corno 1 in Fa, Corno 2 in Fa, Troma 1 in Sib, Tromba 2 in Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Pianoforte, Bandoneon, Chitarra elettrica, Percussioni, Violino I, Violino II, Viola, Violoncello, Contrabbasso

Violino solo, Violino I, Violino II, Viola, Violoncello, Contrabbasso

This cantata features sixteen highly-varied folk song settings, bound together in seasonal groupings to take the listener on an engaging journey through the year from Spring to Winter. The prologue im...

HPS 1308 Contents: The Bonny Earl o' Moray - Come you not from Newcastle? - Little Sir William - O can ye sew cushions? - Oliver Cromwell - O Waly, Waly - The Plough Boy - The Salley Gardens - La Bell...

Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...

A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous 'Moonlight Sonata' by Beethoven (transposed to C mi...

Ogni nota e parola proviene da J.S. Bach. Le note sono tratte da BWV 118 O Jesu Christ, meins Lebens Licht, con testi tratti da BWV 140 Wachet Auf. L'insieme rende questo capolavoro bachiano accessibi...

For baritone solo, semi-chorus, SATB & orchestra This study score combines the scholarship of the Edition with the practical benefits of the smaller format. picc, 2fl, 2ob, ca (opt.), 2cl, b. cl, alto...