Spartiti classica per orchestra

Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob. I:52 in C minor bears some similarities to the slightly earlie...

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.