Spartiti classica per orchestra d'archi

Stimmensatz - Flöte/Violine solo; 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 3 Kontrabässe - Streichorchester

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

Partitur = Cembalo - Streichorchester und B.c.

Partitur = Cembalo - Streichorchester und B.c.

A modern instrumental piece with technically easy playing processes and a distinctive instrumentation. Strings are mostly divided, their number and range can be extended as one likes, the same applies...

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

18th century ballroom dances.

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Especially for school orchestras, this edition offers violin III as alternative for the viola part.

A one-movement piece full of atmosphere from the pen of the most important Spanish com-poser of the 20th century. The solo part which is very easy intonates a siciliano-like melody.

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.For inclusion in a concert...

A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.

Harald Genzmer, born in 1909, wrote his often-played Sinfonietta for chamber orchestra in 1953. His new 3rd Sinfonietta (2002) is also aimed at amateur orchestras, though it offers worthwhile challeng...