Spartiti classica per ensemble misto

Besetzung: Flöte, Klarinette, Horn, Klavier, E-Orgel, Violine, Viola, Cello, Kontrabass

Besetzung: Flöte, Klarinette, Horn, Klavier, E-Orgel, Violine, Viola, Cello, Kontrabass

Nonet, Op. 40, a Divertimento for nine wind instruments by Gustav Schreck (1849-1918), was published in 1905. In four movements, the music alternates between the beautiful sonorities of a wind ensembl...

Nonet, Op. 40, a Divertimento for nine wind instruments by Gustav Schreck (1849-1918), was published in 1905. In four movements, the music alternates between the beautiful sonorities of a wind ensembl...

Molto belle le ambientazioni di Beau Soir, Mandoline, Romance e Fantoches, che sono state accolte molto bene sia dagli interpreti che dagli ascoltatori. Si tratta di ambientazioni molto delicate. Bran...

Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Pag...

Niccolò Paganini's (1782-1840) lovely Sonata Concertata for Guitar and Violin, Op. 61, MS 2, written in 1803, is more reminiscent of Mozart or Haydn rather than the Paganini of his 24 Caprices or Viol...

American composer Arthur Foote (1853-1937) was a member of the "Boston Six" and an advocate of Brahms and Wagner in the United States. His Sarabande and Rigaudon is written for oboe (or flute), viola...

Instrumentation: Oboe, Two Violins, Viola and Violoncello

Questa raccolta di quattro canzoni di George Butterworth (1885-1916) mette in musica la poesia di William Ernest Henley per voce media e quartetto d'archi. Nel 1914, il compositore orchestrò l'accompa...

Sergei Rachmaninoff's (1873-1943) 6 ROMANCES, Op. 4 was written for voice and piano between 1890-1893. Each of the six songs sets text by a different Russian writer. This edition of the beautiful four...

Jules Massenet (1842-1912) 10 PIÈCES DE GENRE, Op. 10, per pianoforte nel 1866. Il n. 5 di quest'opera, intitolato MÉLODIE, fu arrangiato per voce e pianoforte nel 1872, su testo di Louis Gallet, con...

Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.

Amy Marcy Beach (1867-1944) compose Tema e variazioni, op. 80 nel 1916. In la minore, il tema è seguito da sei variazioni. Sezioni: Tema: Lento di molto, sempre espressivo; Variazioni 1: L'istesso tem...