Spartiti classica per coro misto

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The classic text by Robert Burns is given a fresh, lush, and accessible treatment in this skillful setting by Andrew Bruhn. Inspired by folk singing, each voice part takes its turn at the melody, thre...

The classic text by Robert Burns is given a fresh, lush, and accessible treatment in this skillful setting by Andrew Bruhn. Inspired by folk singing, each voice part takes its turn at the melody, thre...

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...

Questa amata aria pucciniana è stata reimmaginata per cori a cappella, con un effetto di pura bellezza! Un'ottima scelta per insegnare il fraseggio e la fusione vocale.

Questa amata aria pucciniana è stata reimmaginata per cori a cappella, con un effetto di pura bellezza! Un'ottima scelta per insegnare il fraseggio e la fusione vocale.

La Jason Max Ferdinand Choral Series presenta l'ambientazione corale moderna di Stephen Murphy di un testo tradizionale del XV secolo, "Adam Lay Ybounden", per coro SATB non accompagnato. Murphy utili...