Spartiti canti di Natale per coro

John Tavener's Ex Maria Virgine is a sequence of Christmas carols, their emphasis on the Nativity and the Virgin Mary. Scored for SATB unaccompanied or with Organ, the collection is representative of...

Choral Variations for unaccompanied* SATB with boys' voices Texts:Theme A Boy was Born Anon. 16th century Variation 1 Lullay, Jesu Anon. before 1536 Variation 2 Herod Anon. before 1529 Variation 3 Jes...

Choral Variations for unaccompanied SATB with boys' voices. The extent of Britten's early genius can, to some extent, be measured by thiswork. Written while a student at the Royal College of Music age...

This work was commissioned by the Revd. Dr. Simon Jones for the Choir of Merton College, Oxford. It was performed on 27th November 2010 at Merton College, Oxford, by the Choir of Merton College conduc...

This motet for unaccompanied voices with tenor solo was written for a BBC programme of words and music called A Poet's Christmas broadcast on the Home Service on Christmas Eve, 1944.

O that we were there! is a text taken from the Christmas hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ, but it also conveys alonging to be out of the world of...

Howard Arman, director of the Bavarian Radio Choir, has been actively engaged with international Christmas carols through various Christmas-related CD productions of his choir in the past years. This...

This snappy, swinging arrangement of Christmas carol Follow that Star includes finger snapping and a performance note that says, 'slightly stompy'. Follow That Star is a perfect choice for secondary s...

Bring vibrant Caribbean Christmas joy to your next choral concert! The world-famous calypso carol "The Virgin Mary had a baby boy" delights with its infectious rhythm, cheerful melody, and heartwarmin...

God rest you merry, Gentlemen is undoubtedly one of the most famous and atmospheric traditional carols of the English choral tradition. In this high-quality edition from the renowned Carus-Verlag, thi...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Es mag vielleicht unbescheiden klingen, wenn man sagt, dass die schönsten Weihnachtslieder die polnischen seien. Wenngleich auch jede andere Nation dasselbe von ihren eigenen Weihnachtsliedern behaupt...

Manuel Grunden ha creato un'impressionante reinterpretazione contemporanea del canto natalizio inglese Ding, dong merrily on high, che si basa sulla melodia di una canzone da ballo francese del XVI se...

Manuel Grunden ha creato un'impressionante reinterpretazione contemporanea del canto natalizio inglese Ding, dong merrily on high, che si basa sulla melodia di una canzone da ballo francese del XVI se...

L'inno dell'Avvento Veni, veni, Emmanuel ha una lunga storia alle spalle ed è stato tramandato in diverse varianti linguistiche e melodiche. La melodia, conosciuta dall'innario protestante, sul testo...

L'inno dell'Avvento Veni, veni, Emmanuel ha una lunga storia alle spalle ed è stato tramandato in diverse varianti linguistiche e melodiche. La melodia, conosciuta dall'innario protestante, sul testo...