Spartiti blues

Zu Beginn dieses Shuffles spielt nur ein Combo aus der Band den ersten Chorus. Ein geschmackvolle Passage des ganzen Sax Registers wird gefolgt von einem offenen Soloteil für den Solisten Ihrer Wahl....

Smooth-out the bumps in your concert! This bluesy, minor-key shuffle features infectious unison riffs contrasted with hard-hitting ensemble sections, over a really swinging groove. An open section pro...

Did someone say, shuffle?? From the stop-time intro to a poppin' shout chorus, this Howard Rowe chart is maximum excitement! Subway Shuffle is an excellent showcase for soloists and ensemble alike and...

Eine grandiose schnelle Swingnummer, die Ihre Saxgruppe in den Vordergrund bringt. Das Stück enthält einen anspruchsvollen Soloteil für das Saxophonregister, der sicher Eindruck schinden wird, und dar...

Das ist eine schnelle und rockige Shuffle-Nummer von Howard Rowe, die voller aufregender Licks steckt und die ganze Band begeistern wird. Die Tonumfänge sind vernünftig und es gibt jede Menge solistis...

Bluesy shuffle medium-tempo con attitudine! Scritta con linee di sax lamentose e solidi colpi d'ottone, questa è una carta che è all'altezza del suo titolo. Assoli scritti o ad lib per tromba e contra...

From master arranger Michael Abene, here is a slow cooking blues chart that features the piano and some wonderfully outrageous ensemble scoring. This is the authentic version originally recorded by th...

Bubbert must have been a cool cat! This original by Mike Steinel is written in a medium shuffle style and uses the blues scale for the easy improvisation section. Online Audio abrufbar unter www.halle...

Here is a great medium swing blues tune for beginning jazz ensembles. The main theme features the rhythm section playing stop time before it slips into a steady swing pattern. There is a solid ensembl...

Jazz Classics for the Young Ensemble - Grade 3 This standard blues tune really swings in the expert hands of Mark Taylor. The trumpets are featured off the top, followed by the saxes and a solo sectio...

The Pythodd Club in Rochester, New York was where the famed La Barbera brothers were first exposed to real, live jazz, and the Hammond B3 organ was often a part of these groups. Here John uses the org...

Bubbert takes a road trip and finds himself in the land of the lope-along Western style blues. This fun chart features a catchy riff, a question and answer stop-time section, plus a flexible solo sect...

Bubbert takes a road trip and finds himself in the land of the lope-along Western style blues. This fun chart features a catchy riff, a question and answer stop-time section, plus a flexible solo sect...

Recorded by Michael McDonald, this bluesy tune features a moderate shuffle groove and a distinctive contemporary sound. Scored with plenty of variety, this appealing chart also includes solo space for...

Il famoso standard swing di Monk è qui arrangiato con un'accurata partitura e con le caratteristiche figure di sottofondo. La forma blues di fondo contribuisce a renderlo accessibile ai giovani esecut...

Recorded by the J. Geils Band in 1982, this familiar rock classic features a driving shuffle style and plenty of rhythmic energy. Also included is solo space for alto sax and trumpet.

I jazzisti meritano la possibilità di stare sotto i riflettori come chiunque altro, ed ecco un veicolo perfetto per le vostre aspiranti giovani stelle. Questo brano bluesy swing presenta i sassofoni s...

Recorded on the 1956 album Cookin' with the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully for beginning jazzers. With a moderate tempo, riff-based melody,...

Milt Jackson recorded this classic jazz standard in 1971 with Oscar Peterson on an album by the same name, but over the years it been recorded by countless jazz artists. Set in a moderate straight 8th...

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...