Spartiti barbershop per coro misto

This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise o...

An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

A contemplative setting of the Latin hymn at Lauds for The Feast of Transfiguration, Ben Parry's O nata lux features effective melodic and harmonic phrasing that creates a serene environment for refle...

'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...

This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

A lively sixteenth-century anthem based on Psalm 81.

Two of Stanford's finest partsongs for unaccompanied SATB voices.

Adapted from Pearsall's own eight-part madrigal 'Lay a garland' (also available from OUP), 'Tu es Petrus' is replete with fine polyphonic writing and rich, expressive sonorities, reflecting his enduri...

Composed in 1840, this popular eight-part madrigal is also in the anthology Madrigals and Partsongs. Replete with fine polyphonic writing and rich and expressive sonorities, it provides a fine example...

A rollicking arrangement of this ever-popular song for unaccompanied SATB voices. It will delight singers and audiences alike with salty evocations of sun, sea, and brass bands! Also in Encores for Ch...

This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir...

A dramatic and colourful setting of Psalm 81:3 and 4 which is an ideal introit or anthem for festive occasions, or for the opening of a choral concert.

This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...

William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...

This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...

This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...