Spartiti barbershop per coro misto

This setting of the poignant and inspirational poem by William Ernest Henley is about overcoming life's dark moments and becoming a master of your fate. Appropriate for mixed choirs of all ages includ...

This fascinating text by Longfellow is skillfully set here for high school as well as college and professional choirs. Try it during American music month or as a commencement anthem.

This fascinating text by Longfellow is skillfully set here for high school as well as college and professional choirs. Try it during American music month or as a commencement anthem.

With an original text inspired by John Donne, this piece illustrates the power of peace and all the blessings it brings. Written for the meeting of the Nairobi Chamber Chorus and Festival Singers of F...

With an original text inspired by John Donne, this piece illustrates the power of peace and all the blessings it brings. Written for the meeting of the Nairobi Chamber Chorus and Festival Singers of F...

A rousing rendition of this traditional Jewish folksong, this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

A rousing rendition of this traditional Jewish folksong, this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

For adult choir, words by Sara Teasdale. Fairly difficult, but very beautiful. Difficulty Level: Advanced Adult.

With words and music by the composer, Frank Ticheli gives us a very advanced a cappella setting whose dramatic flow moves through the themes of hope, peace, crisis, and finally to reconciliation. If y...

The brief three movements of this work are set to poems of Sara Teasdale. The movements can be performed separately or together. Set for unaccompanied mixed chorus, the composer says that the cycle 'u...

This new benediction unfolds gradually revealing many beautiful layers of sound and meaning. The perfect concert closer will send your audience home warmed by the beautiful sounds of sacred harmony. T...

This a cappella madrigal from the high Renaissance is now available as a stand alone choral. It features opportunities for dynamic contrasts and development of the musical line. John Leavitt has edite...

A passionate Latin text, embodies all of the purity and pristine beauty of Renaissance music. Sung a capella, this reverent masterwork may be used in concert, contest, or festival settings by school o...

The glory of the unadorned human voice is presented in this Shawnee classic. Roy Ringwald's rich treatment of the choir is evident in every measure. Make this iconic American piece - made popular by F...

Greg Gilpin has taken this familiar English spring carol and spun an elegant choral of simple unisons, lush harmonies and solo opportunities. The sweet piano accompaniment only tugs at the heart strin...

Greg Gilpin has taken this familiar English spring carol and spun an elegant choral of simple unisons, lush harmonies and solo opportunities. The sweet piano accompaniment only tugs at the heart strin...

Originally set for four voices a cappella, Russell Robinson has taken this classic work and added an optional piano accompaniment and voiced it for 3-part mixed voices. Ideal for youth choirs.

This traditional spiritual is newly arranged by Russell Robinson in a robust a cappella setting with solo opportunities. With its repetitive sections, this piece is not difficult; however, with the ex...

One in a series of single sheets for 4-part choir, arranged from Bill Whelan's acclaimed Riverdance score.

Come Emmanuel is a wonderfully expressive spiritual for the Advent season for SATB voices a cappella.

Arranged by Gene Puerling for SSAATTBB Choir.

There is no better example of the classic Waring sound than in the sonorous chords of this arrangement by Roy Ringwald. High school and college choirs, churches and civic choruses must all have the op...