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This captivating Palm Sunday anthem from Mary Kay Beall makes effective use of mode shifts from major to minor to alternately represent the coming gloom and the 'Hosannas' the crown sang as Jesus rode...

Choral Piece by Mary Kay Beall and John Carter.

Choral Piece by Mary Kay Beall and John Carter.

The original two-part version of this title is Mary Kay Beall's top selling anthem of all-time. John Carter has expanded the arrangement and provided parts for SATB voices, while preserving the compos...

A joyful communion anthem by Mary Kay Beall portraying the blessing and joy of the Lord's table, with an effective quote from 'Let Us Break Bread Together. '

Based on a part of The Beatitudes, this artistic, well-crafted piece features singable melodies and much harmonic interest. Another solid, useful offering from the talented and prolific husband and wi...

Perfect for Maundy Thursday or Good Friday services, this poignant piece by Mary Kay Beall and John Carter recounts the events of Christ's last hours, and the fickleness of human nature from the viewp...

The perfect 'Hosanna' anthem for Palm Sunday, with delightful interaction between adult and optional children's choirs. The lilting melodies grown in excitement and intensity as the procession continu...

Set in d-minor, this sincere ballad exemplifies the humanity of Jesus with his time of sorrow at Gethsemane. Set with piano and four voices, this scaled-back anthem provides an earnest narrative of Ho...

A poignant, personal song of devotion and wroship from the pen of the artistic Mark Kellner. The beautiful mellifluous melody and sincere text make this a fitting choice for the theme of prayer.

Based on Isaiah 35, t his is an anthem of hope and promise. With a text by Mary Kay Beall and music by John Carter, it is a strong and joyous statement of the message of the Advent season, and is idea...

A perfect anthem reminding us of the significance of communion in the Christian experience. Mary Kay Beall reminds us here that it is Christ Himself who calls us home.

While awaiting the birth of Christ, this anthem encourages us to slow down, to learn to wait with patience, and to take notice of each of the signs of Advent that proclaim His coming. Mary Kay Beall h...

This captivating Palm Sunday anthem from Mary Kay Beall makes effective use of mode shifts from major to minor to alternately represent the coming gloom and the 'Hosannas' the crown sang as Jesus rode...

Mary Kay Beall's ability to write poignant melodies and profound texts is well known. This communion anthem is powerful and accessible - an opportunity for congregations to remember together the savin...

Mary Kay Beall, describing her poignant Lenten piece, observed, 'the title, 'We Know How the Story Ends, ' has a double meaning. As we progress through the anthem, we realize that each day, each step,...

Featuring flowing melodies and a compelling text, this original composition from Mary Kay Beall is available in two settings: a Two-Part Mixed voicing and an SATB arrangement from John Carter.

With this somber Lenten anthem, Mary Kay Beall asks us to remember that the forgiveness and new life that is ours for the asking came at a high cost.

Using the well-known tune, 'O Waly, Waly, ' Mary Kay Beall has fashioned a delightful Two-Part Mixed choral setting of her own text of thanks and gratefulness to God. Ideal for Thanksgiving or general...

The premier Palm Sunday processional hymn is made new again in this refreshing rhythmic two-part setting by Mary Kay Beall. Woven into the introduction and closing is a musical allusion to the old fam...

Utilizing a well known melody and a new Mary Kay Beall communion text, John Carter has crafted a beautiful anthem for the celebration of the Lord's supper. Approaching the Eucharist as a joyful, fulfi...

Mary Kay Beall's heart warming text is intended for Mother's Day, Father's Day or other family occasions. John Carter's original Unison setting for Children's Choirs has been a top-seller. Now also av...

Featuring flowing melodies and a compelling text, this original composition from Mary Kay Beall is available in two settings: a Two-Part Mixed voicing and an SATB arrangement from John Carter.

Choral Setting by Jack Schrader.