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This is an arrangement of the 19th-century hymn by Philip Bliss, with words by Horatio Spafford following several personal tragedies. Wilberg keeps the first two verses in unison, before allowing full...

This short piece sets a heartening text by David Warner, long-time collaborator with Wilberg. The simple melody and homophonic choral harmonies are accompanied by warm, flowing quavers in 12/8, played...

This is a flexible hymn for general worship, with an original hymn tune ('Charleston') by Howard Helvey. Either Francis Scott Key's 'Lord, with glowing heart I'd praise thee' or Charles Wesley's 'Love...

Chilcott has re-scored this serene anthem, originally for upper voices, for SAB, making it accessible to choirs with a limited number of male voices. A rich addition to the Choral Evensong repertory,...

No. 3 of Five Hymns in Popular Style. Orchestral material is available on hire. An SSA version is also available.

No. 5 of Five Hymns in Popular Style. Orchestral material is available on hire.

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

Experience one of the most touching classics of choral music in a captivating new setting: This expressive "Alleluia", published by Oxford University Press, is based on the world-famous, tender melody...

per SATB e ensemble di quattro elementi (flauto, oboe, arpa, organo). L'apprezzatissima interpretazione di John Rutter della Benedizione di Aaronne (Numeri 6, 24). Compatibile con le versioni SATB e S...

per SATB e ensemble di tre elementi (oboe, arpa, organo). Accompagnamento per ensemble da camera di tre elementi all'arrangiamento del Salmo 23 di Rutter. La confezione include la partitura completa e...

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary, this impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final sectio...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This charming piece has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction is ide...

Featuring beautifully arching phrases, an optional soprano solo, and exultant yet tender climaxes, this anthem will be an instant hit with all types of choirs. The text by Selwyn Image based on I Cori...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...