Spartiti barbershop per coro misto

We publish in this volume four Marian antiphons, two for soprano and two for alto, composed in 1750 by Francisco Corselli (1705-1778), chapel master of the Royal Chapel in Madrid from 1738 until his d...

This volume contains the two Misereres composed by Sebastián Durón, chapel master of the Royal Chapel in Madrid. Both Misereres are preserved in the archive of the the Royal Monastery of San Lorenzo d...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

This second volume contains two alto cantatas and three cantatas and an aria aria for soprano by José de Nebra (1702-1768), organist and then vicemaestro of the Royal Chapel in Madrid. The cantata Obe...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

The Requiem mass for three choirs with violins and flutes is one of the few preseved works for large ensemble composed by Sebastián Durón. Like in other works by Duron, the instruments are mixed with...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

The mass «a la moda francesa» by Sebastián Durón was composed probably during the first years of the 18th century. It could be composed to please the new Borbon king, Philip V, after his accession to...

The Mass «a la moda valenciana» by Sebastián Durón is written for 10 voices distributed in three choirs. The first choir is for two soloists sopranos. Precisely, the epigraph «a la moda valenciana» se...

Although Antonio Literes is mainly known for his theatre music, we know that he composed abundant religious music for the Royal Chapel in Madrid, as witnessed, for example, by the works preserved in t...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

With this volume we begin the edition of the great Latin sacred works by José de Torres (ca. 1670-1738), organist and then chapel master of the Royal Chapel of Madrid. The Laetatus sum a 5 «sobre los...

We publish in this collection the villancicos and cantatas al Santísimo by Francisco Corselli (1705-1778), chapelmaster of the Royal Chapel of Madrid. Each volume includes cantatas for a solo voice -s...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

Gabriel Urbaine Fauré (1845-1924) was one of the foremost French composers of his generation, and his musical style influenced many composers in the 20th century. In 1881, Fauré composed the Messe des...

Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Klavierauszug; Urtextausgabe

La cantata "Wie schön leuchtet der Morgenstern" (BWV 1) fu composta il 25 marzo 1725, quando la festa dell'Annunciazione coincideva con la Domenica delle Palme. L'ignoto librettista ha mantenuto le st...

Urtext della Nuova Edizione Bach - Cantata per la Domenica di Pasqua. Soprano solo, Contralto solo, Tenore solo, Basso solo, Coro misto-SATB; Tromba/ Cornetto/ Zinco, Trombone (3), Archi, Basso contin...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe