Spartiti Robert Schumann per orchestra

Revised version by the Gustav MahlerGesellschaft, Vienna

An ihrem 34. Geburtstag erhielt Clara Schumann von ihrem Mann nicht nur einen Flügel, sondern auch gleich das neueste Notenmaterial. Darunter fand sich unter anderem das einsätzige Concert-Allegro mit...

Das Klavier ist auf das feinste mit dem Orchester verwebt. Man kann sich das Eine nicht denken, ohne das andere. [...] Der Pianist ist in diesem Klavierkonzert nicht nur Solist, sondern auch Orchester...

Schumann's Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann's original version of his Cello Concert...

Schumann, Le sinfonie 5 partiture di studio in cofanetto

Qualcosa di "completamente nuovo e inaudito" sarebbe stato offerto al pubblico, scrisse Robert Schumann a Franz Liszt alla fine del 1851, riferendosi alla prima mondiale del suo "poema drammatico" Man...

La "Sinfonietta" di Schumann nell'Urtext L'intensità con cui Schumann affrontò la sinfonia è dimostrata non solo dalle quattro opere note, ma anche da composizioni che si collocano tra i generi, come...

Immediately after finishing his First Symphony in B flat major op. 38, Robert Schumann wrote the present D minor Symphony in 1841. Despite its successful world premiere at the Leipzig Gewandhaus on 4...

Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...

Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

The title of this symphony goes back to the conductor W. J. von Wasielewski, alluding to the Rhenish cheerfulness of Düsseldorf where Robert Schumann had found a new home, although this goes against S...

The fact that Ouverture, Scherzo und Finale is hardly known may be due to the dif? culty of categorizing it. In letters and notes, one can occasionally ?nd the designation 'suite', 'symphoniette' and...

The present volume contains four independent overtures. Whereas the overtures of Schiller's 'Bride of Messina', Shakespeare's 'Julius Caesar' and Goethe's 'Hermann and Dorothea' reveal literary and dr...

Even if Schumann falls back on the hymnbook when choosing the text of his Advent Song, the composition probably was politically motivated and, still under the impressions of the revolutionary years of...

On 10 December 1852 Robert Schumann wrote that his Missa sacra was a work 'of medium size, not difficult to perform' and 'suited for church and concert use'. But the composer himself never saw a...

As late as 1830, Robert Schumann described himself as 'religious without religion'. Nevertheless, in 1852, he composed within four months not only Missa sacra but also his Requiem, a touching work whi...

Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

Dedicare le proprie energie alla musica sacra rimane il più alto obiettivo dell'artista, scriveva Robert Schumann nel gennaio del 1851 - anche se fino a quel momento non era quasi mai apparso come com...

Una messa di Robert Schumann? È probabile che ciò susciti ancora sorpresa nel pubblico: dopo tutto, Schumann non è generalmente considerato un compositore sacro. In effetti, la sua opera tarda poco co...