Spartiti Musica di Pasqua per coro: Eccellenza vocale per la liturgia

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Keith Christopher gives this classic contemporary song a fresh approach in this setting that sparkles with Easter joy. Quoting "Christ the Lord Is Risen Today," this celebratory anthem is quickly lear...

Uses: Easter Scripture: Luke 24:2-3; Acts 4:33; I Peter 1:3 Teeming with gospel goodness, this unaccompanied gem is a charming change for Resurrection Sunday. The infectious call and response format c...

Uses: Easter Scripture: Luke 24:2-3; Acts 4:33; I Peter 1:3 Teeming with gospel goodness, this unaccompanied gem is a charming change for Resurrection Sunday. The infectious call and response format c...

This a cappella piece for adult choir is suitable for either a concert or for Easter time. The tune is by Johannes Eccard and the words are by Martin Luther. Dennis Shrock edited it for the Choral Tra...

This extremely popular anthem is one of the choruses from John Stainer's 'The Crucifixion, ' a large choral work usually described as a cantata or oratorio but which the composer called 'a meditation...

Don and Nancy's regal Easter Celebration! is another superb example of what's made their music so popular for so long. With stately elegance, it will be learned easily, offers nice harmonies with some...

Bekannter und überlieferter a cappella-Chorsatz mit deutschem Text in einer Bearbeitung von Pasquale Thibaut.

Eine Melodie aus Tansania mit deutschem Text von Pasquale Thibaut.

Chormusik zur Weihnachts- und Adventszeit von Pasquale Thibaut.

Max Regers Easter Motet was probably composed in October 1911 as a commission for the Chorbuch für die Kirchenchöre Sachsens [Choirbook for the Church Choirs of Saxony], which was published by Breitko...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

gemischter Chor - SSAATTBB 1. In monte Oliveti 2. tenebrae factae sunt {20./21. Jahrhundert}