Spartiti Musica di Pasqua per coro: Eccellenza vocale per la liturgia

An Easter Cantata for STB soloists, SATB chorus and organ.

For SATB and piano duet or woodwinds (piccolo, flute, oboe, clarinet, bassoon) and percussion. The rhythmic power of 'Videntes Stellam Magi' is echoed in this jubilant finale. Instrumental material is...

For Solo Voice, S.A.T.B. Chorus, and Organ

This new anthem is a festive call to Easter issued to the whole of creation. Triumphant and majestic, with a classical feel, this jubilant choral fanfare is the perfect call to worship for Easter. Inc...

Brass Band und Chor SATB.

Brass Band und Chor SATB.

I. Der leidende, sterbende und begrabene Jesus (Fassung Rudolstadt 1748) II. Passio Christi, secundum Ioannem (Fassung Freiberg 1755) Unerforschte 'weiße Flecken' auf Mitteldeutschlands musikalischer...

Il "Requiem" di Gabriel Fauré è la più nota delle grandi opere del compositore. Apparentemente non scritto per la morte di una persona in particolare, il compositore scrisse dell'opera: "Tutto ciò che...

Il "Requiem" di Gabriel Fauré è la più nota delle grandi opere del compositore. Apparentemente non scritto per la morte di una persona in particolare, il compositore scrisse dell'opera: "Tutto ciò che...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

The American folk-hymn with a new, powerful text, which expands it's scope and usefulness: ideal for both Easter and general Sunday services. The American folk-hymn with a new, powerful text, which ex...

Commemorate the 200th anniversary of Mozart's death with this lilting song of praise for SAB voices. Adapted from the Dona nobis pacem section of his Missa Brevis in F, K. 192 with an English text dra...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.