Spartiti Musica di Pasqua per coro e orchestra: Gloria trionfale

Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...

Revised version by the Gustav MahlerGesellschaft, Vienna

Zaïs war die erste Oper Rameaus, die sich vollständig 'la féerie' widmete, der verzauberten Welt des Mythos aus dem Mittleren Osten mit seinen Geistern und fantastischen Luftwesen. Sie wurde am 29. Fe...

The glory of the resurrection is contagious in this exuberant Easter anthem. With several modulations and a rich orchestration, participants' and listeners' hearts will be ascend by this upbeat procla...

This popular Graham Kendrick praise song about the sacrifice of Christ features extended melodic phrases which create exciting musical tension. Master arranger, John F. Wilson, and symphonic orchestra...

With a text adapted from the Apostles' Creed, Allen Pote's triumphant setting for organ with optional brass, handbells and timpani now has yet another performance option - orchestral accompaniment. Se...

This popular praise song, from Reuben Morgan of the Hillsongs Group in Australia, is an affirmation of God's promise to be our strength in times of need. Lloyd Larson's accessible setting is appropria...

The 'classic' Gloria & Bill Gaither song is showcased in this gleaming, artistic arrangement by Jack Schrader. This standard favorite has been given a fresh, dignified treatment and should meet the ne...

Pairing Twila Paris' 'Lamb of God' with Dottie Rambo's 'Behold the Lamb, ' this Lloyd Larson setting is an uplifting and powerful anthem for the Lenten/Easter season. The addition of the optional inst...

This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, 'Lift High the Cross' and Brian Wren's 'Christ Is Alive. ' Addition...

From the early moments of discouragement as the women approached the tomb on Easter morning, to their awareness of Christ's resurrection, and even the reference in verse three of our future resurrecti...

The post-Easter Sundays emphasize the biblical stories of the resurrected Jesus, as he appeared to the women at the tomb, to the disciples on the road to Emmaus, and again while fishing. Here is the i...

I. Der leidende, sterbende und begrabene Jesus (Fassung Rudolstadt 1748) II. Passio Christi, secundum Ioannem (Fassung Freiberg 1755) Unerforschte 'weiße Flecken' auf Mitteldeutschlands musikalischer...

Il "Requiem" di Gabriel Fauré è la più nota delle grandi opere del compositore. Apparentemente non scritto per la morte di una persona in particolare, il compositore scrisse dell'opera: "Tutto ciò che...

Il "Requiem" di Gabriel Fauré è la più nota delle grandi opere del compositore. Apparentemente non scritto per la morte di una persona in particolare, il compositore scrisse dell'opera: "Tutto ciò che...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...