Spartiti Musica classica (barocca) per coro

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

lyricist possibly Christian Weiß, Sen.; This edition contains a reconstructed part fo violin solo (Dürr/Hellmann) for the Tenor Aria no. 2.

Également inclus dans le set

Également inclus dans le set

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...