Spartiti Musica classica (barocca) per coro misto (SATB)

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Geistliches Konzert - Tonart G-Mixolydisch Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed.

Anthem - Wie in vielen seiner Werke greift Händel auch in äO praise the Lord' auf frühere Kompositionen zurück. Die Arien des Anthems wirken, Verglichen mit Händels etwa zeitgleich komponierten italie...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

lyricist possibly Christian Weiß, Sen.; This edition contains a reconstructed part fo violin solo (Dürr/Hellmann) for the Tenor Aria no. 2.

Également inclus dans le set